Photograph by Joe Brennan.

Anna May Kirk


Anna May Kirk is an multi-disciplinary artist, curator and creative producer based on Gadigal land in Sydney, Australia.

Anna May Kirk’s practice explores how environments transform over deep geological and human historical time, and how this change is experienced. Addressing matters of ecological concern, Kirk’s works make tangible the many processes of environmental transformation that act upon temporal and geographic scales beyond the human sensorium. Often exploring historical and current climatic events, industries of extraction and instruments of measurement, Kirk critically interrogates cultural traditions of perceiving, measuring, representing and engaging with the natural world.

Kirk creates ‘living sculptures’ employing materials that are open to their changing environments, such as the crystalising 19th-century chemical composition of a storm glass, oxidizing copper, and glass. The materiality of climate change is embedded as active agents within Kirk’s works, she is currently experimenting with volcanic sand from Mt Tambora, a site of historical climate catastrophe, UV light, Pacific Ocean water and extreme heat. Kirk prioritises the non-ocular senses, using scent to hybridise the micro and macro scales impacted by environmental change. In doing so, Kirk’s artworks act as conduits through which the intangible can become visible.

In 2024, Kirk was awarded the Christine and Stephen Procter Fellowship and Clitheroe Emerging Sculptor Mentorship. In the same year she exhibited work with Cement Fondu, North Sydney Art Prize, Ames Yavuz, QUT Art Museum for the International Symposium for Electronic Art, and co-curated Garden at the End of Time at Tin Sheds Gallery. Kirk has held solo exhibitions at Firstdraft, Verge Gallery and Mosman Art Gallery, and exhibited work with galleries and museums across Australia including Powerhouse Museum, PICA Perth and Casula Powerhouse. She was awarded Highly Commended in the Valerie Taylor Art Prize and has undertaken residencies with City of Sydney, Blindside, and Parramatta Artist Studios, as well as an upcoming residency with the Satellite Institute in Norway, where she will develop a major new body of work. Kirk is currently a Program Curator at Powerhouse Museum and has curated projects taking the form of exhibitions, festivals and digital projects. In 2021, Kirk founded Supper Sessions, a grassroots arts funding initiative raising independent grants for artists through community dinners. Kirk holds First Class Honours from Sydney College for the Arts and a Bachelor of Visual Arts from UNSW Art & Design.  

I work on the lands of the Gadigal people of the Eora Nation and pay my deepest respects to their Elders past, present and emerging.


Projects


Solo exhibitions:



The Fall
Cement Fondu
October - December 2024

Double Parallax
Mosman Art Gallery
Collaborative presentation with Meng-Yu Yan
September - December 2023


Year Without a Sun
Firstdraft
February - March 2023

Forecasting the touch of change
Verge
August - September 2022


Select group exhibitions:


Sculpture by the Sea
2024

Dreamscapes
Ames Yavuz
2024

North Sydney Art Prize
2024

Valerie Taylor Art Prize
Carriageworks
2023

Fauvette Loureiro Memorial Scholarship
SCA Galleries
2023

Hatched
PICA
May - July 2023

New Art 23
Delmar Gallery
February - March 2023

Eucalyptusdom
Powerhouse Museum
July 2021 - May 2022

The Moon’s New Fury
KINGS
April - May 2022


Australian Fashion Week for Jordan Gogos
Carriageworks
June 2021

Saplings
Stanley Street Gallery - curated by Emma Pinsent
April - May 2021

RightHere/RightNow

Sit Gallery - curated by Violette Kirton
February 2020

One Past Liverpool
Casula Powerhouse - curated by Luke Letourneau
September - October 2019

Slurp
PACT for March Dance - curated by Mikaela Stafford and Carla Zimber
March 2019

Speculative Futures
Firstdraft
October 2017

Me Time
Centre for Contemporary Art Canberra - curated by Sabrina Baker
June 2017

Capiche
aMBUSH gallery - curated by Josh Bentley
September 2016

Squiggle Space gallery launch
Squiggle Space - curated by James Gatt
May 2016

Desire Lines (01)
Alexandria - curated by Seb Henry-Jones and Maeve Parker
April 2016

Creative Corner Festival
Curated by James Gatt
December 2015

Stills
Gaffa Gallery
August 2015

SPI
AD Space
August 2015

The Ladies #2
District 01 - curated by Lara Vrkic
August 2015

Passionfruits
Gaffa Gallery
March 2015

Contemporary's Contemporaries
The Rocks Pop-up Space - curated by Elyse Goldfinch and Eloise Cato
December 2014




Education


University of Sydney
Bachelor of Advanced Studies (First Class Honours)
2021 - 2022

Uni Arts Helsinki
Curating in Performing Arts (Short Course)
2020

UNSW Art and Design
Bachelor of Fine Arts (Deans List)
2014 – 2019

Museum of Contemporary Art
Business Administration Traineeship - Certificate III

2014 –2015


Honours


Clitheroe Foundation Emerging Sculptor
2024

Christine and Stephen Procter Fellow
2024


Residencies


Blindside Regional Art + Research Mooramong Residency
Facilitated by Blindside Gallery, Melbourne
2020


Performance Space Queer Nu Werk workshops
Facilitated by Performance Space, Sydney
2019

City of Sydney Live/Work Creative Residency
Facilitated by The City of Sydney, Sydney
2018-2019


Photograph for the Sydney Morning Herald by James Brickwood.


Curatorial Projects 


Garden at the End of Time
Tin Sheds Gallery
June - July 2024

Radical Slowness

The Lock Up
March - May 2022

Supper Sessions
107 Projects
Launched January 2021
suppersessions.com.au

Collective
Collective: Frenzy
Presented with Art Month at Firstdraft March 2021
Collective: Ghost
Presented with Outer Space ARI  November 2020
Collective: Trace 

Presented with PACT July 2020

Becoming With
Tributary Projects, Canberra
September 2019

Movement Lab
AD Space
February 2019 - Present

Body To Bodies
The Cube at Oxford Art Factory
September – October 2018

Down / Under Space
Founding Curator
February – July 2017

AfterpARTY
Freda’s
Co-curated with Nerida Ross
February 2016 – June 2017

Artbank Social Club
Artbank
Co-curated with Kimberly Moulton, Leuli Eshraghi and Miriam Kelly
November 2016

BAD Music and Art Festival
The Factory Theatre
October 2016

MCA Social All That Glitters
Museum of Contemporary Art Australia
Co-curated with Nerida Ross
October 2016

In Motion Festival
AirSpace Projects
October 2016

September Issues (AW16)
Squiggle Space
Co-curated with Yarran Gatsby
September 2016

FreeFall Guest Curator
The Cube at Oxford Art Factory
June – July 2016

ART / WORK
Kudos Gallery
May 2016

Photograph by Joe Brennan.

Roles


Present


Powerhouse Museum Program Curator
April 2024 - Present


Past


Powerhouse Museum Creative Producer
February - March 2024

Powerhouse Museum
Digital Producer
November 2022 - February 2024

Cement Fondu
Assistant Director
January 2022 - December 2022

Powerhouse Museum
Program Producer
February 2021 - November 2022

FBi Radio
Art and Culture Executive Producer

February 2018 – April 2021

FBi Radio Executive Producer
CANVAS: Unframing Art & Ideas
November 2019 – April 2021

AD Space Gallery Coordinator
March 2018 – March 2021

Australian Design Centre Program Assistant
November 2018 – April 2021

The Bearded Tit Art Curator

January 2018 – January 2020

Underbelly Arts
Administration and Marketing Coordinator
February – October 2017

Down / Under Space Founding Curator

October 2016 – July 2017

UNSW Art & Design Arc Writers Coordinator

January - December 2016

FBi Radio Arts and Culture Editor
January 2016 - February 2018


Black Eye Gallery PR and Marketing ManagerNovember 2015 - November 2016

4A Centre for Contemporary Asian Art Curatorial Research Intern

November 2015 – January 2016

Alaska Projects Marketing and Digital Intern

October 2015 – October 2016

Museum of Contemporary Art Australia Business Administration Trainee
June 2014 – June 2015


Panels


SXSW
Speaker
2023


Curate Your City
Speaker
2023


Arts Front Under 30 Conference
Delegate
2018


Biennale of Sydney Archive Salons
Speaker
2018


Museum and Galleries NSW Artchat
Speaker
2017



I acknowledge the Gadigal people of the Eora Nation, the traditional custodians of the land I work on and pay my respects to Elders past, present and emerging.