Garden at the End of Time


Tin Sheds Gallery | 6 June - 19 July 2024

Garden at the End of Time explores the garden as a politically and culturally charged site. Within the walls of the gallery, the garden becomes construed as a place where meaning is not only reflected but also constantly cultivated, and negotiated—an ever-evolving ecosystem rather than an ossified microcosm. While the garden is often tied to its Edenic “beginning,” anthropologist Natasha Myers suggests how contemporary gardens increasingly respond to a sense of the end. In our time of climate catastrophe and late stage capitalism, she describes how gardens “throw us into the world, induce anxiety, and get us very interested in the urgency of life and death at the cusp of collapse on a damaged planet.” Propelled by this urgency, Garden at the End of Time asks what radical ideas stir and grow in the garden today?

Radical Slowness


The Lock Up | March - May 2022

In Radical Slowness, the never-ending cadence of our everyday gives way to a different pace: slow time. Through a series of artistic interventions, the exhibition pulls into focus a multitude of temporalities that usually exist out of sight. Within the historical walls of The Lock-Up, new visions appear: an ocean of digital water endlessly laps around the base of a stone, an alarm clock is caught in the half-seconds that follow midnight, and two galaxies slowly hurtle towards one another, destined to meet in four billion years. Here, time is reframed. It is rescued from a state of dormancy, and is revealed to be the very solvent of existence—an invisible substance which our bodies wade through every day.



Collective


Collective: Frenzy | Presented with Art Month at Firstdraft March 2021
Collective: Ghost
| Presented with Outer Space ARI  November 2020
Collective: Trace |
Presented with PACT July 2020

Collective is a series of live, immersive digital experiences that invite audiences to engage with art and performance in surprising ways within and beyond the screen.



Bodies of Water


The Bearded Tit | December 2019 - January 2020

Bodies of Water focuses on the body as a site of perpetual transformation, unfixed, unpredictable and never at rest.


Becoming with


Tributary Projects | September 2019


This moment is an existential juncture — an extended journey along the edge of extinction into a time unrecognisable from what we know. How do we love with the end in sight?




After pARTY


Freda’s | March 2016 - July 2017


After pARTY was a monthly unofficial after party kicking on from the exhibition openings of galleries in the area. After pARTY celebrated contemporary artists and their practices featuring a different artist each month.






Down / Under


Down / Under | February - July 2017
Down / Under is a Sydney based project space established in 2017.

An-Architecture


Down / Under | February 2017

An-Architecture is a group show celebrating the launch of Down / Under. 'An-Architecture' brings together a group of emerging Sydney and Canberra based artists whose diverse practices explore the issues associated with cultural memory, constructed identity, and the act of archiving in an age of homogenous and boundless databanks.

Artbank Social Club


Artbank | November 2016

Artbank Social Club was an experimental marketplace for artist goods and actived by performance.

FreeFall Guest Curator


Oxford Art Factory | June - July 2016
FreeFall was an experimental performance series at the Oxford Art Factory glass cube - a glass cube that seperates the two stage spaces. Between June - July 2016 I curated a two-month-long performance series as the guest curator.

September Issues (AW16)


Squiggle Space | September 2016

September Issues (AW16) at Squiggle Space explores the poetic transformation of commodities into artworks and the flux of financial and cultural value in this process.
I acknowledge the Gadigal people of the Eora Nation, the traditional custodians of the land I work on and pay my respects to Elders past, present and emerging.