Garden at the End of Time


Garden at the End of Time explores the garden as a politically and culturally charged site.








Photography by Maja Baska
Within the walls of the gallery, the garden becomes construed as a place where meaning is not only reflected but also constantly cultivated, and negotiated—an ever-evolving ecosystem rather than an ossified microcosm. While the garden is often tied to its Edenic “beginning,” anthropologist Natasha Myers suggests how contemporary gardens increasingly respond to a sense of the end. In our time of climate catastrophe and late stage capitalism, she describes how gardens “throw us into the world, induce anxiety, and get us very interested in the urgency of life and death at the cusp of collapse on a damaged planet.” Propelled by this urgency, Garden at the End of Time asks what radical ideas stir and grow in the garden today?


Featuring
Gabriella Hirst, Garry Trinh, Jamie North, Katie Paterson, Katie West, Majid Mirmohamadi, Sean Allen Fisher, Thea Anamara Perkins, and the collective of Olindo Polo, Tom Melick, Simryn Gill, Anna Polo and Tom Polo. 

Co-curated

With Tai Mitsuji


Tin Sheds Gallery
6 June - 19 July 2024





I acknowledge the Gadigal people of the Eora Nation, the traditional custodians of the land I work on and pay my respects to Elders past, present and emerging.